~~~~~~~~~~~~   (the poetry)  WORM ~~~~~~~~~~~~ 39
 

Welcome to WORM 39.  We hope you enjoy this juicy selection of poems.

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Send up to 5 poems, free verse or formal,  to Margaret Griffiths at wordbug@btinternet.com .
Please address any queries about WORM 39 to the same address.
All the poems I receive are forwarded (without authors' names) to my
co-editors for each issue, and the selection is made on our combined scores.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
 
 
               Lament for Those who Knew Nancy
 
               “I am forced to write this letter not able to write.
                I sick, and murdered alive.” Nancy Luce

               When each of her babies dies, she digs a grave, tears
               coursing down grimy cheeks. The hunch of her
               back matches a swan's neck. She swims down stream
               towards a waiting brood. Stringy and tattered
               bone of a woman, half-wish–pulled and snapped.

               Ragged finger-nails, brown-marrow eyes.
               A river of cars meanders past West Tisbury cemetery
               where an orange-skinned hag carries a basket of eggs.
               The light plays tricks, a torrent of orange clay
               forms faces off Gayhead cliffs. She hatches her children
               between trees that protect her from gawkers.  
               She is a white crown, a bridge over a silver river
               that sways and shudders. Each bone in her spine
               is a wooden rack. Hear the singing water.

               We cannot hear the ruffle of the feathers
               as the swan lifts its neck. We cannot hear
               a club come down.  We roast her over
               a fire, eat her bones and all, the way
               we were taught to skewer chicks.
 
               © Laurie Byro
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
               Bed

               The bed barely contains me now. I wonder how
               I imagined my future in something so narrow.
               The mattress sags and the slats keep slipping out
               like a truth no one wants to hear.

               All the way to the hospital, tree branches
               point out the exits.

               The player-piano in the waiting room shines,
               a lake of black ice. Keys struck by a phantom
               unsettle me; my sister continues to beat time
               on her knee, index finger a crooked metronome.

               I glimpse tattered veins in the bend of her elbow
               and curse the technician who last bruised her.

               This morning I thought I saw a new beginning.
               She sat at the table, clear-eyed and cheerful.
               How'd you sleep in your old bed? she asked me
               like a hostess. Still afraid of the dark?

               © Cheryl Snell

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

 

               Buried in Prague

 

               I lean against a white wall in the hot sun,

               considering the outnumbering dead

               encircled close within high walls and synagogues,

               where stingy paths wind through crowding stones

 

               considering the outnumbering dead:

               thirty thousand lie buried layer on layer

               where stingy paths wind through crowding stones

               climbing over each other jostling for space.

 

               Thirty thousand lie buried layer on layer

               densely packed and wedged

               climbing over each other jostling for space

               in the old Jewish cemetery in Prague,

 

               densely packed and wedged

               encircled within high walls and synagogues.

               In the old Jewish cemetery in Prague

               I lean against a white wall in the hot sun.

 

               © Margo Roby

 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               How much ground would a groundhog hog, if a groundhog could hog ground?

               Everything a groundhog does depends on the taste of alfalfa:
               calculate one square metre for every mouthful he spits out

               on an average Sunday in September. Multiply by the size of
               a paw. No matter how inviting the texture of sky, how sharp 

               his February shadow, a quarter acre is never enough; bear
               in mind: indignant rodents do everything based on the length

               of incisors. Add a patch of ground the size of April puddles;
               a cloud's bite off the dark side of the moon; thirteen times

               the wingspan of the wisest owl in the forest, twice as much
               if bi-polar–one hemisphere for happy feet, the other a valley

               of thistles and thorns. Increase by a stretch of land wider than
               your arms can swing, multiply by the number of hibernation

               heartbeats. Square this, then round it up to the nearest prime
               number–so many hectares, all for a little life underground.
 
               © Michaela A. Gabriel
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 

               Cloudblog
 
               Hermit @ cloudblog:
               Out here, beyond most news
               and needing to climb uphill to reach the sky,
               linger and pray there, you notice air, ground's texture
               sodden at the moment after gales and rain.
 
               But always spring and lift
               from low fields' clay
               to limestone's boning ridge,
               the gradual rise,
               each footstep firm,
               mountains' spread-angelled heights
               coming into view behind that stand of beech.
 
               My news?
               Clear out to sea for fifty miles,
               views stretching to the Mull, a hawthorn's down
               pole-axed by gale,
               the old barley field's in flood;
               fell sheep are settling into winter pastures.
 
               Dark work, this praying,
               altar stars, blackened fells;
               thin light between night hours this winter season.
               I reach out from worn scriptures twice a day
               to tune my old radio, angle it for reception,
 
               watch, as I wait that moment's code for cloud.
 
               © Martyn Halsall
 
(Cloudblog: Editor's Choice of Christina Fletcher ,' I was immediately interested in this poem when I read
the title and first line. What followed was so convincing and in such a real voice. I love the rich, but simple
and evocative language, the music of the poem, its originality and depth.' )
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 

 

               Egg White Lies

 

               The snow's a foot deep and you're late again.

               I order anyway:

               bacon, grits, biscuits, two poachies.

 

               Ten minutes and I'm served:

               grits in center, eggs an inch apart at one edge,

               bacon and biscuits on a second plate.

 

               I drop a biscuit in the middle of the grits,

               lay one strip of bacon opposite the eggs,

               one strip each above them.

               The waitress gives me a dirty look.

 

               I glance back at the plate.

               The round, yellow eyes stare at the ceiling,

               waiting for my fork to vent their tears.

 

               But I'm in no hurry, time to prod the limits

               of breakfast art and waitress indulgence.

 

               My phone rings.

 

               "I'll never make it there on these roads," you say.

               "Let's re-schedule."

 

               "No problem," I reply, declining to mention

               the last flake fell a week ago.

 

               © Thorsten Taylor

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Catastrophe's Cusp

               The day you trip down the stairs,
               spill coffee on shower-scalded skin,
               crash the car on the way to the ER
               and return to a kitchen where
               the bleeding never stops, there is
               a burglar with an itchy trigger finger
               lurking on the Welcome mat.

               He watches you misdial 911.
               When a voice impersonating the bank
               comes on the line to steal your identity
               before some fake general's fake son can,
               explain that you're invisible already,
               a shadow mortared to the wall
               of an unfurnished room.
 
               © Cheryl Snell
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 

               Snow angels

               Oh I was jealous there was no denying it.
               I hadn't been able to get up, so my angel
               was scarred with the prints of my palms
               where I had leaned over to the right
               for some leverage, but his was perfect.
               He had a set of abs like the slow down slats
               on the old state highway out by the Ledges;
               so he just stood up, a little snow on his bottom,
               and I was hot, which he knew anyway,
               so he backed me up against the hood
               of the car, steaming snow play forgotten
               and in the fumble of snow clothes
               his angel was trampled, which I saw later as a jinx.
 
               © Judy Swann
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 

               Waiting for the Watch 

               Take the cigarette from between his fingers.
               His eyes are hammered shut,
               boarded up by sleep.
               Like some great coastal surge
               or the slow undertow of dreams,
               my father's body is a force of nature:
               soot, bone, muscle and wrinkled skin.
               Look around this house–
               the asphalt shingles and siding tick like a clock
               radiating the heat of a long summer day.
               The sun and a drunkard of a foreman
               both beat him down.
               Everything he wears is blue going black.
               See the high water marks,
               the sweat and soil, the diet of grease, tobacco, coffee.
               He nears the age of his father's death,
               hasn't put up a calendar in years.
               We could bury him in these stale clothes,
               the heavy boots, his worn recliner.
               My father's estate is his body.
               He wills it to me too soon.

 

               © Brent Fisk

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Practical Divinity
               On the birth of Thomas Yiannikkou (December 2006)

               Dear Thom, 

               I wonder if that's how you'll spell your name?
               I mean, with or without that crucial H.
               Tom seems a bit familiar, Thom recalls
               its fall from sometime dissyllabic grace.
               That sort of thing would matter lots to me,
               whether that little cross was there or not,
               though I get a bit more worked up about
               these tiny details than perhaps I should.
               The pernickety appeals, don't you think?

               I've always said so, though I don't always
               come through: your dad once had the bright idea
               of giving me a birthday cactus plant
               (I know, I know, but don't be overharsh–
               this was Oxford: no-one had bright ideas).
               I smiled a smile which pointedly asked: why?
               I was killing myself most of the time,
               What hope for this spiked dildo of the sands?
               Your dad explained how my neurotic care
               for the fragmentum philologicum
               was not so different from the sort of care
               you needed to sustain a living thing.
               Although the dildo died, your dad was right.
               He kept the faith, though he had none. I'm not
               much good at much, but I have kept his faith.
               Be good to him. Don't mock his funny walk,
               appalling puns (though he left words behind
               while I was still trying to catch his up).
               There's no-one finer, even though his thoughts
               on death and Puritans are not quite right:
               your dad fatally underestimates
               the role of ancient and non-Christian thought
               in shaping practical divinity,
               his Seneca treatment's especially scant.
               Still, perhaps that's just a question of degree
               and not a fundamental difference.
               I mention it, perhaps because I like 
               to hear myself in pedagogic mode.
               Besides, you're one month old and you can't talk
               and by the time you can, I might be dead
               or my tolerance for children might falter,
               and hence I wouldn't want you babbling on:
               Now now, I never said that I was nice.
               I remember the day your mum and dad
               got married. I had cruelly joked about
               my morning-suit: I know you're not supposed
               to upstage bride or groom, but frankly that's 
               a challenge. Never had I seen Ruth look
               more beautiful, a radiance that hung

               a soft still train of sunlight cross the church.
               Of course, the Welsh choir was abominable,
               but I had long irrationally loathed the place.
               I was, let me admit, somewhat ambivalent
               about the whole thing taking place in Church:
               for as you know, your father does not believe
               in Christ: I blame his family (who were Jews).
               Ruth had, however, set her heart on church
               (or chapel, as they call it over there)
               I can't remember what gift I gave.
               It will most probably have been a book.
               I doubt you'll want to waste your life with books,
               especially ones in languages beyond
               our ken: But read whatever Epicurus
               wrote (if Mum and Dad sound somewhat sketchy,
               and they probably are, just look him up).
               He's one of my favourites. He wrote letters
               stuffed with sense, though formally a little loose,
               just bags of old saws like laqe biwsaV
               A loose translation would be: Find your groove.
               Or turn your volume down. Don't try to force
               this world into the spare rooms of your ego:
               You'll die trying, and the removal costs
               will be beyond belief. Trust me on this.
               Love your parents. Whatever good you do
               belongs to them. The bad? It only has
               the life you give to it. Your ego is 
               a gift from God–give it away. Enough
               of sermons in this wintry Yorkshire night.
               A noise outside. The wind is high tonight.
               This highrise flat feels like it's made of weather.
               The moonlight slants across the room and forms
               two little slats (just like the cross-bar of
               that H in Thom) depending how you look.
               Or not; perhaps a subtlety beyond
               belief which maybe makes no difference.
               I've gone on a bit: probably I was
               from Babylon in one of my past lives.
               I hope you like the pun. My best advice:
               Is listen to your parents when they say:
               Thomas, live long, have faith in doubt;
               Don't let anyone tell you what to do.
               It's late. God bless. This brief letter seeks out
               NW11 6XU.
 
               © Daniel Andersson
 
( Practical Divinity:  Editor's Choice of K.R. Copeland,' A brilliant wit sinuates its way through the entirety
of this longish poem. From "crucial H to Babylon", this reader was smitten to the nth degree.' )
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               The Watching
 
              'They are most commonly insensible, and feele neither pin, needle, aule, &c. thrust through them...they
               were watched, only to keepe them waking: for indeed when they be suffered so to couch, immediately
               comes their Familiars into the room and scareth the watchers, and heartneth on the Witch..'     
                                          Matthew Hopkins:The Discovery of Witches
 
               A flicker of quick shadow in the eye's
               corner speaks more proof to me than volumes
               bound in red leather, set in neat array;
               an imp of connotation infallibly
               points where no goodwife, under her husband's hand,
               should be revealed complaisant to the letch:
               points out the third teat luring Vinegar Tom,
               Hop and Pyewacket to her secret parts.
 
               Naked, awake, watch through nights and days
               to learn that one, true syllable you know
               you long to say. My prick about your body
               charts sensationless from agony,
               thrills out the very spot, the compact zone
               you made with him you never could deny.
 
               © Paul Stevens
 
 
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               Jesus Christ, Superstore
 

               A Rock-bottom Opera

 

               Jesus Christ, Superstore,

               what is the end cost of saving more?

               Jesus Christ, do you think

               you have us fooled with that yellow wink?

 

               Yellow wink? Like golden-skinned

               children of Bangladesh that you’ve locked-in?

               Or Yellow wink, as in mean,

               faux all-American stock machine? 

 

               Businesses, large or small,

               find out the deal’s at your beck and call.

               They must fall in line; or fail,

               then settle their debts with an auction sale.

 

               Vlasic had pickles cold,

               till they became strapped by ‘gallon gold’.

               When they tried to back out–

               Jesus, they found out who had the clout.

 

               Superstore, you pulverize

               company’s coupons to advertise

               product lines. “Cut our price.

               No need in giving the credit twice.”

 

               Kinkade won't care–he'll concede

               ghost painters paint till their fingers bleed.

               Irony? "Cottage" art

               take-offs are sold by a discount mart.

 

               Jesus Christ, Superstore,

               most of your stuff's from a foreign shore.

               Recalls claim, "Paint with lead

               mistakenly used." (Geez–no kids are dead!)

 

               Stoners stock, late at night.

               A stretch of the Equal Employer, right?

               Shoppers dodge, if they’re swift,

               high-speeding forklifts that have the shift.

 

               Watch young Moms grocery shop:

               10 lbs. of french fries in one big plop.

               Generic foods can be dull.

               Does she need cheaper bean casserole?

 

               By-the-hour wage is poor,

               but work on a Sunday, they’ll pay you more.

               Yes, they know–Sunday's Church.

               But they can't leave their patrons in the lurch.

 

               Jesus Christ–Union Free.

               Workers, according to you, agree.

               Income in Quebec stores slowed–

               So that’s why their new union stores have closed.

 

               Benefit counseling:

               No health, for two years–the state will spring:

               staff insure with Medicaid

               or spouses’ employers, whose costs cascade.

 

               Jesus Christ, we're enticed,

               but who in the long run is sacrificed?

               Mom & Pop's. Factories.

               Families, both here & those overseas.

 

               Jesus Christ, Discount Mart.

               who’s on the top of your Business Chart–

               Jesus Christ? Superstore,

               your Chief of Staff's on a lower floor.

 

               © Christy Armistead

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 

               Boadicea in New York

 

               You look at her and think of whalebone–

               scaffolding and width and girth

               of clipper ship–a latitude

               and longitude of hip: a horizontal sway–

 

               she is the scarifying blue and white

               and freezing day–billowing

               like some unleashed revenge–

               an uncontained appalling female might:

 

               she aims her breasts like cannon–

               sails right at the brittle city–woe

               to its fragility!–I bow as she proceeds–

               and watch her court catastrophe:

 

               striding off the curb: a grudging

               cab stops short of her disturbing mass–

               she deigns to let his growling engine pass.

               Large lady, are you what you

 

               seem–what I surmise?–a cold dream

               fallen from the skies–Boadicea

               come to rescue us from battle-gray

               Manhattan and our January sighs?

 

               © Guy Kettelhack
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Shining Steel Tempered in the Fire
 
               Wrote the only literate bobbin boy from #7 room:
               "Dear Mr.Henry Quackenbush, Factory Overseer:
               I'm leaving this note to inform you
               that the loom fixer, the sample weaver,
               the mill right and the finish percher
               have gone home.

               "We have stripped your bobbins,
               cleaned off your looms,
               swept your floors,
               turned off your boilers
               and overhead lights,
               padlocked your file drawers and cabinets,
               boarded your windows and barred your doors.

               "We have spread storage cloths over
               your mill housing furniture,
               torn the final page
               from the company calendar.
               "We have blotted our names
               from the final census
               of the United States.

               "We're boarding a fast train
               fueled with mummies from antiquity,
               and are heading home to
               Quebec, County Clare
               and the tribe of Reuben.
               "Our attorney, Mr.Moyse,
               shall plague you by requesting
               an independent audit on your heart."

               Thought the old overseer,
               pulling at his stiff collar
               while reading this note,
               "My last sol has passed through my hands!
               May the spent purple dyes from the dye house
               pour down
               into the mighty river of water of life
               and poison their last fish.
               I'll spend my days weaving baskets
               while imbibing Rod McKuen
               in paperback,

               Schlitz beer on ice and Perry Como
               singin' Dirty Old Town with a
               western swing,
               then have my cracked nut fastened
               to the house of Dagon."

 
               © Nathaniel S. Rounds
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Stand and Look
 
               Pre-school / hospital–            
               should their adjacency be so surprising
               or that belle mère works there now,
               assisting in the cadaver room,
               delicately slicing at testicles and breasts?
               When she exposes the purples and yellows,
               another’s rubber finger wiggles in.

               Regrettable, that so many of you
               have neglected to secure your signed permissions.
               You won’t see the sun dance after all
               or join the little saints in their compulsory ecstasies.
               Instead, there is only this cellar,
               with its steel altars, its wall of drawers.
               Note well: the presences.
               Note well: the puddings on the scales.
               Little ones, press your foreheads to the glass now.
               Stand and look.
 
               © Kate Bernadette Benedict
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Humiliation 
 

               Roberta, GA,April 4, 1986


               Outside the Blue Goose Inn, the men, some thirty,
               who gather for a game or something dirty,

 

               lean on their trucks and de-crack their breeches.
               Schmoozing among them, the owner, Tony bitches

 

               about uneaten food, the chip and dip.
               Patronize Tony's, you get Tony's lip.

 

               The men don't seem to mind. They eye the trail
               that exits by the plum bush where, without fail,

 

               for eighteen autumns, Waterboy's appeared.
               This one's no different. He lumbers out, face smeared

 

               with kaolin from the plant. The cigar box,
               Tony's collection plate, fills with fives. No one mocks

               Waterboy, though a stream of spittle hangs
               from his lower lip. Maestro Tony harangues

               the crowd to give it up. "Every year, same show,"
               he says. His face, beer-bloated gives off a glow

 

               as he explains that Waterboy's been dumb
               since birth. The dumb man listens. He's become

 

               a Caliban who needs this money, though
               when one man shoves him to get on with the show,

 

               he shoves back. The man stumbles, spits and swears
               at Waterboy before Tony sees and tears

 

               across the yard, shoves his shotgun, a .410
               at Waterboy's temple. Then with one quick spin

 

               they're clawing on the ground and the crowd is hot
               to see some blood. Although a fight is not

 

               on the bill, the cicadas are cheering in the trees.
               The gun wins. Waterboy, on his hands and knees,

                the .410 pressed against his ear lobe, gives
                them what they came for. As if other lives

 

               were housed inside his burly frame–the pig,
               the cat, the wolfh–he bellows like the big,

 

               dumb black man that he is. It is a cry bred
               in silence. It explains what can't be said.

 

               © Lance Levens
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 

               picking up                         

               when the sun quits
               your corner, you smooth
               your patterns out
               with a needle's edge

               you log into the fire
               embrace the lamp
               demobilise the phone
               and excuse us all

               fallen on easier times
               you knit the way frost weaves
               and diviners divine–alone,
               beyond words

               no sleigh-bell breaks
               the spell of you
               or jolts the prayer-wheel
               of your purls

               till inching sun
               works round to you
               and you lay down
               the last stitch


 

               © Philip Burton
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
               

               Cinco de Mayo: Anniversary Poem

 

               Spring ripples on the lake,

                 on the grasses. When he drives

               hard and fast along the rutted dirt

                    of a country lane, they can’t wait

 

               to begin. The cheap motel forgotten

                 as they sink into the backseat

               by the lake: hemlocks fan their heat.

                    Now, twenty years have passed,

 

               he gathers dust of the same back road,

                  takes her hand as they conjure up

               moonlight, rainfall and peepers.

                    He senses her readiness to let grudges

 

               fall away with their clothes.

                   All that is holy is here in this car.

               They have dug graves and filled them

                    with their losses.

 

               Her lips plump when he blows on them,

                    hemlocks spread their branches.

               They listen to spring rain, the creaks

                    and sighs of their car. He tastes her,

 

               rubs the small of her back

                  kneads into her hollows

               until she lifts her hips to the arch

                    of his thumbs. He pauses to kiss

 

               her again, lightly like pollen

                    he covers her stomach with butterflies.

               She goes limp. Twenty years gone,

                    she is crying the same as before. 

 

               Her high rapid music slows,

                  tree frogs, the lull of rain. He brings her back

               again and then again, quick

                    and then another. When he loses

 

               himself into her finally, he is the tremor

                  that pushes out the windows,

               the electric lightning of her eyes.

                    They have started the slow steady

 

               crawl into the battlefield.

                    They have followed the beating

               of the drums. Despite all

                    their misgivings, they will win.

 
               © Laurie Byro
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
   
               Half Asleep Remembering an Easter Sunday

               Only a lightness hints at the fragility of eggs.
               My grandfather at Easter would rise,
               take his place at the head of the table,
               crack dyed eggs on unsuspecting heads.
               Vinegar lingered in the air.
               Between rain showers, a square of sun
               worked across the yellow linoleum
               and he dug into the paper like a gray squirrel
               looking for winter's last nut.
               One socked foot stayed in the light all morning.
               In the sourwood another squirrel parasoled its tail,
               gained shelter from the drizzle.
               My grandmother and brother cached eggs too well,
               hid eleven but found only nine.

               The past is a limb gone numb in sleep.
               I rub the emerging needles in my hand,
               think of my grandfather that October,
               his own left arm preceding him into death.
               Half asleep I hear my mother wiping windows.
               Grandfather leans in, cracks my head awake.
               Morning bright as a yolk,
               the house full of vinegar and lemon.

               © Brent Fisk
 
        
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               Mother's Day

               I hold the phone, remembering–
               no need to call today.
               Routine's my raft, and as I cling
               I hold the phone, remembering
               a loss. It is a cruel thing,
               this trick the mind will play.
               I hold the phone, remembering.
               No need to call today.

               © David Anthony

 
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               Poem for a daughter who did not come home
 
               July gives in to swelter and I am surprised to find
               that birds can fly on air this heated. Three swallows
               skim past against the fury of the sun; over
               the ridge comes the long pull of a train whistle.

               A body could not lay cold in this heat. See how dust hangs
               over the field like winter fog where the cattle have startled?
               I expect to find crystal on the fences and rime under foot
               instead of grass long in drought and brittle.

               In the back garden are all the flowers we planned for sunset:
               honeysuckle, black-eyed Susan, the heavy-headed sunflowers
               bowing West. Atop a fencepost the quail cock
               is watching his brood, his small eyes vigilant to my

               movement. I try to count the chicks diving through the grass,
               the hen following like a dervish; I give up; retreat
               to the quiet house, open windows then the quail’s call rushes in,
               where-are-you, where-are-you, where-are-you


               © M.E.Hope

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
 
               McDarby's Hymn
               "...  what was called a `felt need´ (horrid locution!).": Fr Patrick McDarby

               At first, of course, they tried with flax,
               the fabric common then;
               but flax, though good for working backs,
               in private little folds and cracks
               would chafe, and chafe again.

               Some other brothers tried with hair–
               coarse flax was thought too fine–
               they sought acceptance everywhere
               and even found it, here and there,
               though not with me nor mine.

               Perhaps the ones who tried chiffon,
               in light of later styles,
               should not be so looked-down-upon:
               they put their chosen garments on
               and smiled their quiet smiles.

               And what of those who tried cashmere
               with zealotry´s excess?
               Are they to be regarded here
               with some mean modern mental sneer
               for cashmere's light caress?

               But, none, I think, still say that lace
               is nothing to regret:
               it's one thing to transcend the base
               and quite another when one's face
               is framed by bobbinet.

               That brings us to our current breed
               who've walked and worked and knelt
               in standard garments as decreed–
               but if you catch a flash of need
               you'll notice that it´s felt.

               © Marcus Bales
 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
              Dream Song
 
              Under thy shadow by the piers I waited;
              Only in darkness is thy shadow clear.

               1. A view from Washington Bridge
 
               ‘O come on down, O come on down,’ the river
               lures our famous, fucked-up poet, 'behold
               these languid, shit-streaked waters, feel the shiver
               that chilled old Mr Bones.' Henry, the cold
               North wind blows in from Manitoba; we know
               you suffer, wake hungover, grow too old.
               Your dream song asks, 'Where did it all go wrong?'
               The literati freaks observe you clinging
               to the parapet–speculate how long
               it takes to lose your grip. Henry singing
               raucously, a bitter chariot swings low,
               de Ol' Man River say, ‘Let go, Let go.’
 
               2. Sotto in Su

               First rule of comedy, when all else fails–
               fall over. Timing though, is everything;
               even as you clamber across the rails
               you sense they’ve seen it coming. Still, you fling
               yourself towards the slivered sun, 
               Icarus, upside down tumbling, falling
               towards the sky’s blank mirror.
               ‘The meaningless underside of bridges’–
               who knows better the travesty of horror,               
               the perfect peace beyond enticing edges,
               the garden where your nightmare first begun,
               Father slumped, stock-still next to his gun.
 
              © Alan Wickes
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 

 

 

 

 
               The Opaque Spirit 

               A memory of Kingsgate Castle in Thanet


               A robin's microsecond of alarm
               starts my mental clock
               pulls my gaze up lines of turret windows.
               And on the wall are many works of art.
               There's a spirit in each flint's rain-black pupil
               set proud in its mortar iris.
               And, seen from such distance
               as lovers use for stringing kisses,
               faint as mermaid-memories of dryness,
               swimming in stone
               are the simplified silica bones
               of ancient sponges
               squeezed dry by the potter.
               There's the shy wink of unbroken pebble
               as the gallery recedes.
               With as many faces as the sea
               the stones ripple in the sun.
 
               © Philip Burton
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Morning Tea

 

               Five thousand years of drinkable wisdom,

               as rusty-clear and timely as the rooster's crow,  

               catch the shower of tiny white diamonds,                    

               swallow their sparkle,

               swell away their points and edges.

               Two stirs, no more–a day in its starting blocks

               deserves a long breath of unforced physics.

               The porcelain, a scant degree shy of hot, takes my hand,

               woos a marriage from fingers still miffed

               at being torn from blankets and pillows.

               My thumb curves upward, at sunrise crawl,

               its back tracing the smooth, inner slope of the handle.

               Instinct coaxes my chin and eyelids lower

               with devilish promises that submission and darkness

               are the perfect escorts to exponential pleasure.

               The first sip issues a zesty tenor, almost sharp,

               a tinge of wild pecan and green persimmon,

               enough to jolt my eyes back open.

               The ones that follow wander the orchestra,

               finally settling on tones of comfort

               from the morning's mandolin.

               I give the cup half a swirl  

               just to watch the last few granules spring free,

               a moment of play for a wrinkling child of fifty.

 

               © Thorsen Taylor
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               A woman's werk

               "Am gooin wom ," mi mam sed,when erd cooked mi faither's tay,
               "Am gooin wom, so listen tert things have got ter say,
               am teckin Fred, un Sissy too, un Charlie un eawr Sid
               un cat, unt dog, unt goldfish, un mi bonnie little brid
 
               then thee con sup ar neet, un lay i bed ar day,
               fer me, am gooin wom, when have sidied up thi tay,
               un clenned eawt mi oven,  un donkey stoned mi step,
               so don't thi try un stop mi, cos have had enough by eck
 
               am fed up wi thi pit clooers, thrown deawn ont kitchen floor,
               un am fed up er hangin um, ont nail ert back ert door,
               am fed up wi thi pit dirt, thi clogs, un dirty hands,
               un am sick er listnin trumpit, tha plays int colliery band.
 
                am fed up wi thi whippet, cos its never won a race,
                un am fed up wi thi pigeons, cos loft's a sheer disgrace,
                am fed up wi thi drinkin, black stout un raisin beer,
                so am gooin ter mi mams, un tomorrow al not bi here.

                al just finish Sissy's bedroom off, cos er lino needs er shine
                then al do eawr Charlie's washin, un hang it eawt ont line,
                then when have pur ort kids ter bed, un bathed um ont peg rug,
                un made sure thiv sed the prayers, al tuck um up reet snug.

                un crawl inter mi cosy nook, un darn thi holey sock
                before a tackles th'ironin, cos eawr Sissy needs er frock,
                then when't fires last embers deed deawn int fire grate
               al clamber up that wooden hill, cos am tired, un it's ter late

               un don't try any funny business, cos am sick to dearth er thee
               sittin theer int rockin cheer as quiet as con be,
               what's that tha sez, tha luvs mi, neaw, don't look at mi like that,
               fer tha knows am gooin wom, so al fotch mi coat an hat
 
               have pur um theer ont sideboord, so ther ready fer int morn,
               then when thas on thi own, thal know that thas bin born,
               neaw am gooin up to bed, cos am tired, an it's ter late
               un al bi off tomorrow mornin, when ave clenned that dirty grate,

               un scraped eawt th' esshole, un got thi jack bit tin,
               un pur in thi jam butties, then browt thi pit clogs in,
               neaw have towd thi Jack fert last time, am gooin ter mi mams
               so Jack don't look at mi like that, cos a don't know weer a am,
 
               but ones thing fer certin, when tha looks at mi a knows,
               this luv that wi have allus shared has thorns just like er rose
               so al put mi hat un coat back, fer a remember't day wi wed
               un promises wi made Jack, so ferget them things a sed."
 
               © Sally James
 
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 


 


               Boots

               And the best present I ever got was a pair of boots.
               They were brown and chestnut, with a swervy design
               which I slept in and woke in the night
               to caress and to admire the gloss
               And no, wait, the best present I ever got
               was a black horse on springs named Lightning,
               When I had my sword and my cape
               more potent than magic, more gorgeous than gold,
               and I wasn't very old then but now I am
               my best present has to have been that tape
               with the Yeats' songs on it that I love so much
               that the tears prick my eyes if I even
               hear it in my imagination,
               with that handwriting more dear to me than
               my breath, my abilities, my future
               and that voice more plangent than bagpipes
               and the strong chords like a scythe in autumn.

               © Judy Swann

 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Psoriasis

               I’m all fish and shimmer, silver scales that sliver,
               fall and mingle with powder and light; wherever I’ve been
               I stay. Jericho to Paris or Napoli; oh, the play
               upon the skin trade, dust to dust in Augsburg’s Jewish cemetery
               a pixie brush of glitter from East to West. My scarred elbow 
               and knees, lazy tourists littering foreign rooms, 
               always leaving something behind.
 

               © M.E.Hope


 

(Psoriasis: Editor's Choice of M.A.Griffiths,' A fascinating slithery shivery sliver of a poem, that suggests
so much in so little. I found myself remembering that dust in our homes is mostly flakes of our own shed skin.' )

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
 
 
 
 
 
 
               Getting Even
 
               “In seeking vengeance, dig an extra grave”
               self-righteous folk would tell us. Is it true
               that he who meekly turns his cheek will save
               his soul? Oh, start the violins. Boo-hoo.
               Iago had it right: you play the heart
               against the mind; store grievances for years
               if necessary, plotting how each part
               will make the deadly whole. You shed false tears
               and bear false gifts; you drop a gentle lie,
               a casual observation, poisoned seed
               for willing birds. You see the victim die
               by slow degrees. A dish served cold indeed.
               You want some closure? Vengeance not enough?
               Just dig one grave–the proverb is a bluff.
 
               © Christopher Hanson

 

 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Acknowledgements:
Bed previously appeared in Magaera
Catastrophe's Cusp previously appeared in Wicked Alice
Half Asleep Remembering an Easter Sunday previously appeared in The Blue Mouse
Jesus Christ, Superstore previously appeared in Folly
Poem for a daughter who did not come home previously appeared in High Desert Journal
Waiting for the Watch previously appeared in Blue Collar Review
A woman's werk previously appeared in Manifold 43
 
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Author's contact details:

Daniel Andersson..................   daniel.andersson@gmail.com
David Anthony.....................     http://www.davidgwilymanthony.co.uk
Christy Armistead...................  carmistead5213@charter.net
Marcus Bales........................   marcus@designerglass.com
Kate Bernadette Benedict........  www.katebenedict.com         
Philip Burton...........................  burtophil@hotmail.com
Laurie Byro...........................    philbop@warwick.net
Brent Fisk..............................  brentpoetrysalon@hotmail.com
Michaela A. Gabriel...................michaela.gabriel@chello.at
Martyn Halsall.........................  martyn.halsall@ukonline.co.uk
Christopher Hanson.................  chrishanson5@bigpond.com 
M.E Hope.................................fishtrappe@hughes.net
Sally James............................  tynewydd3@msn.com
Guy Kettelhack......................   GuyBlakeKett@aol.com
Lance Levens........................    lancelevens@hotmail.com
Margo Roby............................  mroby@JISEDU.OR.ID 
Nathaniel S.Rounds.................. pottersthumb@hotmail.com
Cheryl Snell...........................   cherylsnell@hotmail.com
Paul Stevens........................     caratacus@gmail.com
Judy Swann...........................   judy@jmswann.com
Thorsten Taylor........................ Door4open@aol.com
Alan Wickes ..........................  http://www.alanwickes.org

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                           Compiling Editor: M.A.Griffiths (
wordbug@btinternet.com ).
Associate Editors: K.R. Copeland ( 
andre-kim1@comcast.net ) and Christina Fletcher ( christinasjf@aol.com ).
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